Avant Garde Filmes

An unseen character observes the cold, harsh world around them while listening to The Beach Boys, hidden away in the safety of their bedroom.

This is a rhythmic invocation of the ancestral fire, in which dazzling flames reanimate bones and natural elements. This is the shining of colour.

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered...

A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over...

Han closes a trilogy that began with Ere erera baleibu... (1968) and continued with Impressions en haute atmosphère (1991), which goes from...

"My name, melancholia".

CRISP., wherein a jealous man's attempt to steal a delicious apple crisp causes reality to break down and begins a chain of events leading to an...

Common Mistakes uses four synonyms for the word "mistake" (fallacy, error, accident, and blunder) to present a sample of widely held "truths" that...

Light painting and nature imagery are captured in 13 shots of different points of luminescence, on the 13th anniversary of Schwartz’s...

From Pompeii to Xenia puts in echo times of innocence struck by disaster: the lightning tornado which had beaten down on the American city of...

Filmed in Quintay, sent to Santiago. For Claudia Muñoz. "In the rocks by the sea there is a woman watching the sun set. We read, we talk"....

The wife lost her sense of time in the loops of life, becoming the gears of social machinery. The husband is a writer who has the spirit of...

One room, two half bodies, a silent relationship.

I and other person, we exercise the daily movements by moving each other's body.

Music by Dick Connette from his album, Too Sad for the Public Vol. 1: Oysters Ice Cream Lemonade. Suzzy Roche sings the vocal. Dick’s lyrics...

A man tells the story about his trip to Inner Mongolia.

Three lives caught in limbo between dreams, reality, and oblivion.

Following an introduction which establishes the social context of the film, ‘The Politics of Perception’ presents a one-minute...

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be...

“This film offers a metacinematic study of tempo and change and a figure of velocity. […] Ota recorded [three different locations in...