Joyce Wieland Filmes

About a strike in which women are involved, but told in a very different way.

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks...

Hand Tinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

"The film [Birds at Sunrise] was originally photographed in 1972. Birds from my window were filmed during the winter, through to the spring, with the...

In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and...

“This film is against the corporate military industrial structure of global village.”

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

A cat eats its methodical way through a polymorphous fish.

One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by...

Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a...

Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one...