Joyce Wieland Filmes

Home movies shot on Super 8mm by W+B Hein over 10 years.

Various unrelated vignettes, often juxtaposing sound and image.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

A cat eats its methodical way through a polymorphous fish.

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

Handtinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

Ken Jacobs’s most elusive and mysterious film is at once an allegory of movie-making, a demonstration of 8mm versatility, and a celebration of...

“This film is against the corporate military industrial structure of global village.”

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by...

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her...

A serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career.

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks...