Andrew Kötting Filmes

Animals all-at-sea; a cow’s head struggling to make for shore, an owl floundering in the surf or a reindeer awash in the breakers. Buoys of...

Shot on the Island of Jura and in and around the French Pyrenees. The film is a foray into the notions of performance-travelogue-essay, it meanders...

Super 8 project for Coastal Currents 2017 by Hastings Film Makers and musicians. Produced by Mark French. Filmed in charity shops in Hastings & St...

1989 short film by Andrew Kötting

This was funded by the Arts Council as a test or pilot for their ‘Long Format Experimenta’ scheme. Although short-listed it was not...

The film was made in one take over a period of four hours, using a manual time-lapse facility on a Sony PD170 DV Camera. It was shot up in the Faroe...

Sea Swallow'd charts the choppy waters of gut feelings, capturing the flotsam and jetsam of impulse, desire and fights to the death. A film by Andrew...

Raw HD time-lapse sequences made for the feature film SWANDOWN re-edited and manipulated.

"In the summer of 2010 I was artist-in-residence at Intermondes and the International Film Festival of La Rochelle. My ambition was to try and...

As families enjoy the May Day sun at a funfair in a south-east London park, overlooked by the skyscrapers of the financial district, Martin Donegan...

At the threshold of the last mystery you have looked into the eyes of your creature self and watched the sun come dripping a bucket full of gold.

'I’m not moaning, you don’t hear me moaning!' These are the words spoken by Gladys Morris, the artist’s dead grandmother, that...

An introduction to Jarman's 'The Garden'.

A film shot on an iPhone with a super 8 app documenting a walk made by Andrew Kötting with Iain Sinclair from Dover to London along Watling...

Made with a standard 8 Bolex camera and possibly Andrew Kötting’s first film. Shot alongside a wall in Mottingham with Danny Baker whilst...

An experimental reflection on the changeable and complex nature of memory through the lens of neurodivergence.

BECAUSE THE REST IS SILENCE reconfigures aspects of Kötting’s previous moving image works, which focus on the idea of place. But perhaps...

The worlds of Franz Kafka and Josef Fritzl collide to produce a disturbing insight into the notions of incubation as heard through the ears of...

Three monitors played Mini DV footage that had been edited specifically for the Installation. Broken down into three elements: Landscape, People and...