Bill Brand Filmes

Chuck's Will's Widow is a eulogy for my father and mother whose ashes are spread in the Adirondack mountain woods where the film is shot. Visualized...

Scattered in seemingly random order, on the screen, we see the light that traverses the kinetic fields of Bill Brand’s latest film August...

A woman wakes up, gets dressed, makes breakfast and walks down the street. This daily ritual becomes extraordinary seen in a trance-like structure of...

This is my digital/analog contribution to “Xochimilco Treasure Hunting” in Mexico City on the final day of "HAZLO TU MISMO,"...

DEMOLITION OF A WALL takes six frames of the falling wall from the 1896 Lumiere film and reorders these six frames in all their permutations. With a...

An Angry Dog is a hand-held animation made from a Cracker Jack toy.

Susie's Ghost is about the mystery of the marks we make and leave behind. The “Susie” in the title refers to a sibling but the "ghost"...

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes...

Skinside Out features paint on skin, carried out in an expressionist mode on both of the filmmakers' bodies. The emphasis is on the pleasure of...

Flickering flames viewed through air vents of a wood burning pot belly stove resemble the shutter of a film projector.

In this film, circles of colored light (red, green, blue) pulsate and flicker as they move around the frame. Where they intersect, they display a...

Still at Work, a self-portrait of the artist in his places of work: the studio in Lower Manhattan and Sarah Lawrence College, the school where he...

In a 2.5 minute sequence, a simple series of ordinary gas station events is seen intermittently through the opening display. This sequence is then...

Katy Martin paints directly on her skin, and uses her whole body to make marks with the paint. Bill Brand frames the action and its trace, in the...

Rampla Juniors Fútbol Club is a local team from el Cerro, Montevideo that has served as the heart of this Uruguayan working class neighborhood...

In It Dawn Down an ordinary take-up reel spins to make colorful and delicate patterns even though the film is black and white.

West Virginia industrial landscapes are collaged on an optical printer through a series of jagged shapes that transform the photographed scenes into...

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

The Central Finger (16mm, silent, 5 1/2 minutes, 1974).

A simple home movie of a cat is reprocessed through a 'Zip-a-tone' dot pattern making a complex of layers. In combination with freeze frames,...