Yann Beauvais Filmes

RR uses musical models as a paradigm. The central part of each section of the film is based on a transcription of a Bach composition for two voices....

DERRUBADA NÃO! is a film essay deploying a reflection via an experiment whose objective is to measure the impact of an artistic gesture that...

Filmed in August 1997, in the New South Wales, then left to decay for several years in other tropical climates, before being scanned and finally...

A trip to Riga and Moscow in the fall of 90. Confrontation between the reality of the places and a cinematographic memory of some of these same...

A found footage film about the war. A film which inscribed his refusal of the manipulation of the media coverage of the last holy war of the American...

A three-part film.

VO/ID juxtaposes two separate texts, one in French and the other in English. The texts question art and experimental cinema, the role of the market...

Film boundaries explore the garden geometry of the royal paths at Versailles, wandering among gilded statues and dry fountains. Nostalgia for bygone...

This film considers the subject of HIV and AIDS from a variety of different viewpoints. On the one hand using textual material in both English and...

Extract taken from the longer diary dealing with United States in the summer of '78.

The is the first filmed diary made by Yann Beauvais.

"Take the path >>>>Still Life>>>> Hezraellah >>>>> of a curfew>>>>> exonerating affection" – Edson Barrus

First sketch of a new work featuring the movement of objects and devices. From one screen to another, without changing platforms, we change trains or...

Experimental short film

“Reading Rimbaud today means to relate his experiences, his desires, to ours – it means that we see a strong connection between his quest...

“How should we describe a work such as TU, SEMPRE by Yann Beauvais? Visually, it consists of roughly 40 minutes of videotext in movement and...

Rioting in different countries is confronted within the discourse of some politicians perpetuating the same old colonialisms and responses to a world...