Gary Hill Filmes
- 1980

Commentary
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“Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...
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- 2003

Blind Spot
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Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...
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- 1986

URA ARU
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Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...
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- 1978

Sums & Differences
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The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...
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- 2001

Goats & Sheep
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Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...
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- 2011

The Psychedelic Gedankenexperiment
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The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...
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- 1975

AXIS
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“I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...
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- 1979

Resolution
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A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
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- 1986

Mediations (towards a remake of Soundings)
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“The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...
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- 1980

Around & About
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“In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...
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- 1975

Earth Pulse
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A humanoid form strikes its body while making primal guttural sounds. At times the form is “stopped” and “started” using the...
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- 1976

Mesh
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A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...
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- 1978

Elements
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One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...
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- 1990

Solstice d’Hiver
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Solstice d’Hiver was Hill’s last single-channel video before the recently completed Goats and Sheep and Blind Spot. The work was recorded...
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- 1977

Electronic Linguistic
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The work’s images appear as visualizations of electronically generated sounds. Initially, small pulsating pixel structures occasionally appear...
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- 1989

Site/Recite (a prologue)
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With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...
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- 1984

Why Do Things Get in a Muddle? (Come On Petunia)
Why Do Things Get in a Muddle? (Come On Petunia)01984HD
This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...
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- 1974

Rock City Road
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Recorded in Woodstock, New York, Rock City Road incorporates multiple levels of rescanned images of walking on different surfaces, including pavement...
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- 1979

Objects with Destinations
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Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...
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- 2000

Performative images. My skin its skin (per)forming another skin where I voice from
Performative images. My skin its skin (per)forming another skin where I voice from02000HD
DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.
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