Gary Hill Filmes

  • 1980
    Commentary

    Commentary

    Commentary

    01980HD

    “Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...

    Commentary
  • 2003
    Blind Spot

    Blind Spot

    Blind Spot

    02003HD

    Blind Spot constructs a space of living portraiture by “focusing time” on an exchange between the artist (the camera) and a man on the...

    Blind Spot
  • 1986
    URA ARU

    URA ARU

    URA ARU

    01986HD

    Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...

    URA ARU
  • 1978
    Sums & Differences

    Sums & Differences

    Sums & Differences

    01978HD

    The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...

    Sums & Differences
  • 2001
    Goats & Sheep

    Goats & Sheep

    Goats & Sheep

    02001HD

    Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...

    Goats & Sheep
  • 2011
    The Psychedelic Gedankenexperiment

    The Psychedelic Gedankenexperiment

    The Psychedelic Gedankenexperiment

    02011HD

    The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...

    The Psychedelic Gedankenexperiment
  • 1975
    AXIS

    AXIS

    AXIS

    01975HD

    “I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...

    AXIS
  • 1979
    Resolution

    Resolution

    Resolution

    01979HD

    A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...

    Resolution
  • 1986
    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    01986HD

    “The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...

    Mediations (towards a remake of Soundings)
  • 1980
    Around & About

    Around & About

    Around & About

    01980HD

    “In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...

    Around & About
  • 1975
    Earth Pulse

    Earth Pulse

    Earth Pulse

    01975HD

    A humanoid form strikes its body while making primal guttural sounds. At times the form is “stopped” and “started” using the...

    Earth Pulse
  • 1976
    Mesh

    Mesh

    Mesh

    01976HD

    A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...

    Mesh
  • 1978
    Elements

    Elements

    Elements

    01978HD

    One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...

    Elements
  • 1990
    Solstice d’Hiver

    Solstice d’Hiver

    Solstice d’Hiver

    01990HD

    Solstice d’Hiver was Hill’s last single-channel video before the recently completed Goats and Sheep and Blind Spot. The work was recorded...

    Solstice d’Hiver
  • 1977
    Electronic Linguistic

    Electronic Linguistic

    Electronic Linguistic

    01977HD

    The work’s images appear as visualizations of electronically generated sounds. Initially, small pulsating pixel structures occasionally appear...

    Electronic Linguistic
  • 1989
    Site/Recite (a prologue)

    Site/Recite (a prologue)

    Site/Recite (a prologue)

    01989HD

    With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...

    Site/Recite (a prologue)
  • 1984
    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    Why Do Things Get in a Muddle? (Come On Petunia)

    01984HD

    This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

    Why Do Things Get in a Muddle? (Come On Petunia)
  • 1974
    Rock City Road

    Rock City Road

    Rock City Road

    01974HD

    Recorded in Woodstock, New York, Rock City Road incorporates multiple levels of rescanned images of walking on different surfaces, including pavement...

    Rock City Road
  • 1979
    Objects with Destinations

    Objects with Destinations

    Objects with Destinations

    01979HD

    Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...

    Objects with Destinations
  • 2000
    Performative images. My skin its skin (per)forming another skin where I voice from

    Performative images. My skin its skin (per)forming another skin where I voice from

    Performative images. My skin its skin (per)forming another skin where I voice from

    02000HD

    DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.

    Performative images. My skin its skin (per)forming another skin where I voice from