Gary Hill Filmes

  • 1986
    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    Mediations (towards a remake of Soundings)

    01986HD

    “The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...

    Mediations (towards a remake of Soundings)
  • 1976
    Mesh

    Mesh

    Mesh

    01976HD

    A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...

    Mesh
  • 1985
    Tale Enclosure

    Tale Enclosure

    Tale Enclosure

    81985HD

    Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic,...

    Tale Enclosure
  • 2008
    Observaciones Sobre los Colores

    Observaciones Sobre los Colores

    Observaciones Sobre los Colores

    02008HD

    Observaciones Sobre los Colores consists of a single video projection in which a boy reads a Spanish translation of Wittgenstein's Remarks on Color,...

    Observaciones Sobre los Colores
  • 1981
    Videograms

    Videograms

    Videograms

    81981HD

    1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device...

    Videograms
  • 2011
    The Psychedelic Gedankenexperiment

    The Psychedelic Gedankenexperiment

    The Psychedelic Gedankenexperiment

    02011HD

    The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...

    The Psychedelic Gedankenexperiment
  • 1977
    Bathing

    Bathing

    Bathing

    01977HD

    In Bathing, as in his Mirror Road, Windows and Objects with Destinations, Hill uses the camera and image processing devices to explore the...

    Bathing
  • 1978
    Primary

    Primary

    Primary

    01978HD

    The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...

    Primary
  • 1977
    Bits

    Bits

    Bits

    01977HD

    Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...

    Bits
  • 1978
    Full Circle

    Full Circle

    Full Circle

    01978HD

    “The image plane is divided into three sections. In the lower half, a close-up of two hands form a circle out of a metal rod. The upper half of...

    Full Circle
  • 1975
    AXIS

    AXIS

    AXIS

    01975HD

    “I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...

    AXIS
  • 1974
    Air Raid

    Air Raid

    Air Raid

    01974HD

    The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...

    Air Raid
  • 1980
    Commentary

    Commentary

    Commentary

    01980HD

    “Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...

    Commentary
  • 1983
    Happenstance (part one of many parts)

    Happenstance (part one of many parts)

    Happenstance (part one of many parts)

    01983HD

    The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...

    Happenstance (part one of many parts)
  • 1978
    Windows

    Windows

    Windows

    01978HD

    Silent or with minimal sound, Hill's early formalist works explore the manipulation of electronic color and image density through the camera obscura...

    Windows
  • 1988
    Disturbance (among the jars)

    Disturbance (among the jars)

    Disturbance (among the jars)

    01988HD

    Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...

    Disturbance (among the jars)
  • 2001
    Goats & Sheep

    Goats & Sheep

    Goats & Sheep

    02001HD

    Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...

    Goats & Sheep
  • 1980
    Black/White/Text

    Black/White/Text

    Black/White/Text

    01980HD

    Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black...

    Black/White/Text
  • 1979
    Resolution

    Resolution

    Resolution

    01979HD

    A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...

    Resolution
  • 1979
    Picture Story

    Picture Story

    Picture Story

    01979HD

    “A structural work (with humor) that uses indeterminacy to forge an abstract landscape upon which the ‘vision’ of an ox appears. A...

    Picture Story