Gary Hill Filmes
- 1986

Mediations (towards a remake of Soundings)
Mediations (towards a remake of Soundings)01986HD
“The beginning of a remake of an earlier work [Soundings, 1979] in which I wanted to extend the reflexivity of each text in relation to the...
![Mediations (towards a remake of Soundings)]()
- 1976

Mesh
Mesh01976HD
A fixed color camera is slightly defocused on the wire mesh of a window screen. Outside the window the leaves of trees are moving with the wind. The...
![Mesh]()
- 1985

Tale Enclosure
Tale Enclosure81985HD
Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic,...
![Tale Enclosure]()
- 2008

Observaciones Sobre los Colores
Observaciones Sobre los Colores02008HD
Observaciones Sobre los Colores consists of a single video projection in which a boy reads a Spanish translation of Wittgenstein's Remarks on Color,...
![Observaciones Sobre los Colores]()
- 1981

Videograms
Videograms81981HD
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device...
![Videograms]()
- 2011

The Psychedelic Gedankenexperiment
The Psychedelic Gedankenexperiment02011HD
The Psychedelic Gedankenexperiment is a declaration claiming the psychoactive event of lysergic acid diethylamide (LSD) as a "found performance" and...
![The Psychedelic Gedankenexperiment]()
- 1977

Bathing
Bathing01977HD
In Bathing, as in his Mirror Road, Windows and Objects with Destinations, Hill uses the camera and image processing devices to explore the...
![Bathing]()
- 1978

Primary
Primary01978HD
The artist’s mouth fills the whole image plane. Silently the words “red,” “blue,” “green” are slowly and...
![Primary]()
- 1977

Bits
Bits01977HD
Our visual field is dominated by gossamer layers that become distorted in fluid motion, break off, begin anew and continually change color. As we...
![Bits]()
- 1978

Full Circle
Full Circle01978HD
“The image plane is divided into three sections. In the lower half, a close-up of two hands form a circle out of a metal rod. The upper half of...
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- 1975

AXIS
AXIS01975HD
“I was thinking of the camera as a kind of archeological tool that I could use to dig into or slice through the landscape —one among many...
![AXIS]()
- 1974

Air Raid
Air Raid01974HD
The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images...
![Air Raid]()
- 1980

Commentary
Commentary01980HD
“Made just before Around & About, this work is something of a ‘manifesto in jest’ against television…. I’m a sit-in...
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- 1983

Happenstance (part one of many parts)
Happenstance (part one of many parts)01983HD
The associative stream of images and sounds treats the word as an abstract structure. Spoken and written text flows from image to image, morphing...
![Happenstance (part one of many parts)]()
- 1978

Windows
Windows01978HD
Silent or with minimal sound, Hill's early formalist works explore the manipulation of electronic color and image density through the camera obscura...
![Windows]()
- 1988

Disturbance (among the jars)
Disturbance (among the jars)01988HD
Disturbance (among the jars) is a multi-lingual adaptation of selected Gnostic texts from the Nag Hammadi library discovered in 1945/46. The...
![Disturbance (among the jars)]()
- 2001

Goats & Sheep
Goats & Sheep02001HD
Goats and Sheep uses the source material of the installation Withershins, 1995, consisting of two simultaneous views of a person signing: the hands...
![Goats & Sheep]()
- 1980

Black/White/Text
Black/White/Text01980HD
Using the phenomenon of inverted (or negative) video feedback, this work constructs a one-to-one correspondence between recited text and image. Black...
![Black/White/Text]()
- 1979

Resolution
Resolution01979HD
A single solid white line rotates 180 degrees, beginning at a vertical position in the middle of the screen. At first, it forms...
![Resolution]()
- 1979

Picture Story
Picture Story01979HD
“A structural work (with humor) that uses indeterminacy to forge an abstract landscape upon which the ‘vision’ of an ox appears. A...
![Picture Story]()










