Gary Hill Filmes

This rarely screened film was used to raise funds for the making of Energy and How to Get It. High-energy physicist Robert Golka was granted a lease...

In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambiguity, dislocation of the senses, the boundary...

A humanoid form strikes its body while making primal guttural sounds. At times the form is “stopped” and “started” using the...

In the video, Thomas the protagonist is played by Hill which confounds the self-reflexive nature of the book’s relationships all the more,...

DVD insert of monograph Gary Hill: Around & About: A Performative View containing a compilation of Hill's performance art.

The film tells a story with no dialogue. The group of boy skaters are suddenly at a point when one of the boys sees a young girl, and becomes...

Recorded in Woodstock, New York, Rock City Road incorporates multiple levels of rescanned images of walking on different surfaces, including pavement...

The work’s images appear as visualizations of electronically generated sounds. Initially, small pulsating pixel structures occasionally appear...

Objects from the artist’s studio (hammer, cathode ray tube, circuit board rack, chair, clip light) constitute the subjects for a series of...

This tape is the first of Hill’s works for which he deliberately wrote a screenplay. The title defines the piece’s starting point: Alice...

With startling precision, Site/Recite moves across and around a table-top graveyard — bones, butterfly wings, egg shells, seed pods, crumpled...

Solstice d’Hiver was Hill’s last single-channel video before the recently completed Goats and Sheep and Blind Spot. The work was recorded...

Dave Jones prototype modules (keyers, color field generators, output amplifier), black-and-white camera, microphone and Serge audio modules (voltage...

One of the earlier works Hill produced on the Rutt/Etra video synthesizer, Elements combines abstract “landscapes” with fragmented...

Recorded on location in Japan, this work was inspired by the notion of “acoustic palindromes,” aural versions of written palindromes,...

The basis of this “sound/image construct,” recorded in real time, are three black-and-white still images: a keyboard, a flute, and an...

“In 1979-80, I was teaching in the Media Studies Department at the State University of New York at Buffalo, filling in for Woody and Steina...

In this work, the field of Hill’s experimentation is the synchronization of visual and linguistic elements. For Equal Time, he sets up a...

In Mirror Road, Hill uses the camera and image processing devices to explore the malleability of electronic colors and image density. Amorphous...