Robert Huot Filmes

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

Film by Robert Huot.

LEADER and SCRATCH are extensions of Huot's early interest in minimalism. They are successful in reducing the number of filmic variables so...

…was shot in black and white Super 8mm and is accompanied by a soundtrack of drumming and deep breathing. The camera fades in and out on a...

This film is the quadruple superimposition of four faces, two men and two women. These images often appear to be one fantastic undulating face...

A section from ROLLS: 1971, which I feel stands well on its own. The continuous field of falling snow appears to break into three planes or zones of...

"Beautiful Movie" is a filmic cameo during which a passage of blue film leader and clear film painted red introduces a lovely image of a woman, naked...

In CROSS-CUT--A BLUE MOVIE, Huot presents a minimal passage of intercutting between found footage of a hoochy-coochy dancer and a blue leader,...

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila...

A punk spoof with music by Georg Deitl, lyrics by Robert Huot, performed by George A and The Super Connie featuring Bobby Beethoven. Plus electronic...

“An extraordinary ebbing and flowing, dotting and pulsing ‘abstract’ field film. The filmmaker-painter Huot painted this film by...

Two reels projected simultaneously, with slight variations in speed.

By 1968, Huot had begun to use photographic imagery, fusing his continuing concern with minimalism and an interest in the erotic. RED STOCKINGS is a...

One Year (1970) is a series of forty-nine rolls of 16mm film, nearly all of them unedited except in the camera, and all of them silent. The flares at...