Narcisa Hirsch Filmes

The Aleph is the point where diachronic and synchronic times meet, and each second represents a moment in life, from birth to death.

About the music of Steve Reich, a phrase be phased out as the image it makes the reverse movement.

Hirsch’s first steps in filmmaking were documentations of her performances and happenings in public spaces. These were collective actions,...

MUNDIAL 78 is a humorous depiction of the controversial 1978 football World Cup that took place during the Argentinian dictatorship

"Academia del fracaso" is a speculative aesthetic fact of a polemic nature, as Marta Minujín explains when she talks about her work. Portrayed...

With research that spans the work of philosophers Gilles Deleuze and Martin Heidegger to modern mythologies in which time reversal plays a crucial...

The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings...

"the speed of time dissolves thought"

"The world is a tarantula ... a big, dark tarantula, moving around weaving its own web." A journey into myths and origins of the world with the grand...

A portrait of Narcisa Hirsch, Argentine filmmaker, pioneer of experimental cinema. The artist explores the path of her memories, where the traces of...

Over the course of one year, Narcisa Hirsch left a super 8 camera on a tripod in a paddock near her house in the Patagonia. When she was away, she...

This documentary is an approach to the experience of seeing and listening to the trajectory of Narcisa Hirsch, a pioneer of Argentine experimental...

Patagonia reflects Hirsch's close connection to Argentina’s natural world and the people around her.

The dialogue of a woman with herself split into two unknown opposites.

A young couple, locked in a room quietly relates, as she recalls her life from birth until the arrival of first love.

The role of men returning from the war; it is the end of the battles and ideologies.

In Aída (1976), a Super 8 camera captures ballerina Aída Laib dancing vigorously in Hirsch’s atelier to the sounds of Nina...

During the 1980s, Hirsch made a series of documentary films about various events in the city, like the appropriation of a monument in PICHÓN...

The reeds lean over the water. There is no nostalgia. A letter filmed for Rafael Maino in 1984 with stories of the filmmaker as a memoir of a...