Harry Smith Filmes

“Superimposed photographs of Mr. Fleischman’s butcher shop in New York, and the Kiowa around Anadarko, Oklahoma–with Cognate...

Hand-painted 35 mm stock photographed in 16 mm, color, 2:15 or 10 min. Initially intended to be screened with and synchronized to Dizzy Gillespie's...

16 mm, color, silent or mono, 1:30 or 20 min. Untraced red-green anaglyph 3-D film.

Unfinished commercial adaptation of L. Frank Baum's The Wonderful Wizard of Oz which was shelved after Smith's close friend, the executive producer...

Study for Film No. 11: Mirror Animations (1957). Harry Smith described the film as, “An exposition of Buddhism and the Kaballah in the form of...

16 mm, black & white and color, 2:16 or 6 min. Silent though possibly intended to be screened with Dizzy Gillespie's Manteca. The film starts...

16 mm, color, silent, 5:25 or 15 min. "Optically printed Pythagoreanism in four movements supported on squares, circles, grillwork, and triangles...

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

April 19 nite of Ricky visit but not of Ricky. 1. Jose Soltero & his assistant Alicia from Argentina. I do teaching, they tape. 2. Harry arrives...

“Harry Smith visited my apartment on East 3rd Street, New York City, April 1987. Harry told someone calling him he was at “a secret...

Experimental short. 16 mm, color, silent, 2:30 or 6 min. Sequel to No. 4.

Hand-painted 35 mm stock photographed in 16 mm, color, silent, 2:20 or 5 min. Initially intended to be screened with and synchronized to Dizzy...

Hand-painted 35 mm stock photographed in 16 mm, color, 3:20 or 10 min. Reportedly cut down from about 30 min. Initially intended to be screened with...