Harry Smith Filmes

A pilot for a documentary film capturing life at the Chelsea Hotel in the early 1970s. The film was never finished due to budget issues. 'A...

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family,...

Harry Smith’s final film; an epic four-screen projection. Smith worked on this cinematic transformation of Kurt Weill and Bertolt...

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007...

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light,...

Jonas Mekas visit. Harry comes by before Ricky visit. 1. 12 p.m. April 15th -- Jonas dares to come by but won't talk. I tape him not with set up --...

The 94-year-old Robert Frank’s unique recordings of his fellow artists Harry Smith and Allen Ginsberg, which he had salvaged from his own...

The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

“Harry Smith visited my apartment on East 3rd Street, New York City, April 1987. Harry told someone calling him he was at “a secret...

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

Hand-painted 35 mm stock photographed in 16 mm, color, 2:15 or 10 min. Initially intended to be screened with and synchronized to Dizzy Gillespie's...

Hand-painted 35 mm stock photographed in 16 mm, color, silent, 2:20 or 5 min. Initially intended to be screened with and synchronized to Dizzy...

Study for Film No. 11: Mirror Animations (1957). Harry Smith described the film as, “An exposition of Buddhism and the Kaballah in the form of...

Experimental short. 16 mm, color, silent, 2:30 or 6 min. Sequel to No. 4.

16 mm, black & white and color, 2:16 or 6 min. Silent though possibly intended to be screened with Dizzy Gillespie's Manteca. The film starts...

16 mm, color, 10 min. Untraced collage.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

Hand-painted 35 mm stock photographed in 16 mm, color, 3:20 or 10 min. Reportedly cut down from about 30 min. Initially intended to be screened with...

Features Thelonious Monk's Misterioso. Extended version of No. 11 printed forward-backward-forward.