Woody Vasulka Filmes

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio...

Soundsize continues the Vasulkas' investigation into the relationship of sound and image. Here a pattern of dots is modulated by sounds generated...

Short film.

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs (Steina, Objects, Digital Images, Transformations,...

The image and sound are being simultaneously generated from a single source, which at the same time shapes the visual pattern as well as electronic...

In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the...

Manipulating a variety of sources, Vasulka uses creative imaging tools to situate historical images against Southwestern landscapes of incredible...

This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the...

Short experimental film by Steina, Woody Vasulka

This work shows paradoxical space relations in electonic depths, where the common space coordinates no longer apply and where the images become...

Cantaloup is an informal documentary on the Vasulkas' Digital Image Articulator, an imaging device they designed with Jeffrey Schier. Using a...

short documentary film on an Icelandic whaling station

This symbolic journey evokes the personal creative wandering of the Vasulkas. The landscape, shot from a car window while driving in the Santa Fe...

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs for broadcast on WNED in Buffalo, New York. In the...

A 3-minute study of a wrinkle-faced old woman by one or both of the Vasulkas, produced late-career.

The SCAN PROCESSOR STUDIES are a collection of works by Woody Vasulka & Brian O'Reilly. The full work is of total approximate duration of 45...

A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...

Set to Holst's Mars, the Bringer of War, Bill Etra's original performance on 9 B&W monitors was shot in real-time on 16mm color film by Woody...