Friedl vom Gröller Filmes

Friedl vom Gröller's Poetry for Sale is a portrait of a young man peddling verse on the Paris metro. Reinforcing the antiquated nature of his...

Endure tension, endure intimacy.

A wink to the reaper that awaits us all, smile on the lips.

Friedl vom Gröller doesn’t give Christiana Perschon an interview. She gives her more: the film of a brief encounter, which in its...

Friedl vom Gröller´s Rust starts by gazing into the strained face of the saint. The artist herself reads "Holzschnitt", or woodcut, rather...

In Maya Deren’s AT LAND, each vision of a foot hitting the ground took us into a new space via the magic of montage. DAS RAD works a similar...

What goes missing in a time when mouths are covered by masks? At the beginning you see a set of replacement teeth. This still life opens the film,...

Dedicated to the Paris Poetry Circle, this film captures the filmmaker's yearning for and unbridled interest in the human face. Poems are recited,...

Friedl vom Gröller invites a stranger to his small apartment in Paris and records his reactions to an unexpected striptease.

The story of a triangle. Two people in a hotel room. A love story. Or rather, the idea of ​​a love story. A cinematic story. Everything...

A young man spitting cherry pits, with an off-screen accomplice, attempts to hit the camera´s lens with one of them. Various moods become...

The title appears in thick boldface print. A short sequence of documentary snapshots, filmed off found paintings. These images pick up on figures...

A pan along a gallery of large washing machines in a laundromat. Two women speak sign language and a third feeds coins into the machine. Language is...

Five older women, loosely grouped in two rows, gaze into the camera. At times only details of their faces can be seen, a sixth woman walks through...

A pan on a dilapidated square, doubled with an another pan showing a series of portraits of local men staring into the camera lens.

An ongoing portrait of Max Turnheim that begun in 2002 when he was 20 years old.

Im Wiener Prater is not about the amusement park that one normally associates with this name. The spectacle in the film takes place in a much more...

The longtime friend and photographer Heidi Harsieber with Friedl vom Gröller in an early, very charming portrait, in which the young women still...

An elusive 16mm miniature from the legendary Friedl vom Gröller, Conditio Humana intersperses footage of the crumbling sandstone façade...