Vito Acconci Filmes
- 2016

Burden
Burden5.82016HD
A probing portrait of Chris Burden, an artist who took creative expression to the limits and risked his life in the name of art.
![Burden]()
- 1971

Centers
Centers01971HD
Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.
![Centers]()
- 1991

The Golden Boat
The Golden Boat6.11991HD
Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling...
![The Golden Boat]()
- 1971

Conversions 1
Conversions 101971HD
In these three exercises, Acconci plays with trans-gender illusions, manipulating and altering his own body parts to suggest sexual transformations.
![Conversions 1]()
- 2007

Seven Easy Pieces
Seven Easy Pieces22007HD
For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own,...
![Seven Easy Pieces]()
- 1975

Body Art
Body Art01975HD
Compilation film consisting of material from various artists who are involved in body art
![Body Art]()
- 1980

Journeys from Berlin/1971
Journeys from Berlin/197191980HD
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
![Journeys from Berlin/1971]()
- 1981

14 Americans: Directions of the 1970s
14 Americans: Directions of the 1970s01981HD
The multiple means of making art after the end of illusionism led these artists to create performances, sculptures, earthworks, tableaux, furniture,...
![14 Americans: Directions of the 1970s]()
- 1971

Association Area
Association Area01971HD
This early performance tape is an example of what Acconci has termed his "quasi-ESP exercises," in which he explores mental concentration and...
![Association Area]()
- 2008

Chelsea on the Rocks
Chelsea on the Rocks5.62008HD
Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once...
![Chelsea on the Rocks]()
- 1989

Aktionskunst International. Dokumente zum Internationalen Aktionismus
Aktionskunst International. Dokumente zum Internationalen Aktionismus01989HD
A comprehensive documentation of new art movements from 1945 to the present day. Beginning with the "Internationale Situationniste," "Cobra," "Spur,"...
![Aktionskunst International. Dokumente zum Internationalen Aktionismus]()
- 1974

Full Circle
Full Circle01974HD
"I walk in a circle around the camera: sometimes I'm on screen, sometimes I'm off, sometimes I change direction, leaving the screen on one side and...
![Full Circle]()
- 1970

Rubbings
Rubbings01970HD
"Acconci caresses his torso, then crushes cockroaches into his stomach and rubs them into his skin." - Electronic Arts Intermix
![Rubbings]()
- 1973

Command Performance
Command Performance01973HD
Torn over the pressure to perform for his audience, Acconci fantasizes about "a dancing bear" who takes his place, performing in the spotlight, doing...
![Command Performance]()
- 2013

Revenge of the Mekons
Revenge of the Mekons6.62013HD
Documentary about the Mekons.
![Revenge of the Mekons]()
- 1971

Conversions 2
Conversions 201971HD
In Conversions II, the second in a trilogy of films interrogating the rigidity of gender binarism, the artist attempts to feminize his unquestionably...
![Conversions 2]()
- 1981

How to Fly
How to Fly01981HD
With HOW TO FLY, Bowes abandoned plot entirely, finding other forms of structure. He wanted to show that stories do not have to obsessively organize...
![How to Fly]()
- 1971

Conversions 3
Conversions 301971HD
The final installment of the Conversions trilogy.
![Conversions 3]()
- 1973

Walk-Over
Walk-Over01973HD
"A long narrow corridor, leading to the camera—at one side, a window—sun streams in, splotches of light and dark, the corridor shimmers....
![Walk-Over]()
- 1973

Reception Room
Reception Room01973HD
Acconci lies naked on a gurney-like table, rocking back and forth as a tape-loop of his voice describes his anxieties about exposing his body and his...
![Reception Room]()












