Richard Tuohy Filmes

Iron-wood is an abstract visual exploration of the deeply fissured 'cog-like' bark of the Australian tree Eucalyptus Sideroxylon (Red Ironbark).

Granite tors scattered over 20 square kilometers around Tooborac in central Victoria dance in energetic celebration of their own endurance.

A couple, Steve and Louise, quit their respective office jobs, deciding to follow their inner desires and their aspirations to be artistic.

A blinding beam of light. The piercing sound of ships. Everything—the land, plants, the sky—shouts for attention. Perceptions assail us...

A performer descends the stairs. Direct film mattes frame glimpses of the motion. Phase-looping duplicates the glimpses into a cascade of humanity. A...

A North Asian metropolis. Electricity wires draped like thick webs adorn the streetscape. Expolsive sparks of colour electrify the frame. Filmed in...

A restless hand, folding and folding onto itself. It makes no sound... and all the sound in the world. In the era of covid, we have become used to...

Architectural distortions of the second city.

Across the sea. Across the street. Cross processed and grain-enlarged images of fraught neighbours Korea and Japan who have difficulty making each...

A constant series of tiny collisions.

Barcelona, immediately after the independence referendum. Shot on black and white film stock using a re-invented colour separation technique....

On Christmas eve in 1974, the city of Darwin was devastated by Cyclone Tracy. In this expanded cinema piece, a single film print, featuring only...

Motorcycles and cars are lost in the sound of traffic and disappear in bands sliced into film footage of Jakarta’s roads. The horizontal and...

A city of brick, tin and board, rent by internal tectonics and sliding into the sea.

A movement study of a restless hand. Made from one five second shot, with sound constructed from an old French folk tune played on a hand cranked...

Workers of the word, in yellow vests, building other people's dreams.

Filmed on the broad, tree-less expanse of the Hay Plain, Horizontals makes a game of the endless horizon.

“Tree ferns filmed and then re-filmed on black and white film are inter-cut to produce a collage of green tinted positive images and green...

Pear Shapes ... one of two 'weed' films I made. In the 1950s, prickly pear was a major weed problem in Australia. This is one weed we managed to beat...

Bones of a dead Tasmanian forest colourfully ‘ re-animated’ in a film printer.