Steina Vasulka Filmes

Based on Robert Heinlein’s 1941 story “Universe,” Double Lunar Dogs presents a vision of post-apocalyptic survival aboard a...

The New Wave is the seminal compendium of independent video work in the early 1970s. Written and narrated by Brian O'Doherty, this overview of the...

The opening of The Vasulka Effect couldn’t be more apt: Steina Vasulka addresses her husband Woody through various TV screens. He does the same...

This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative...

Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas...

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio...

A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...

Matrix II explores the properties of images and sounds in the medium of video. Geometric shapes travel across a ‘matrix’ (grid) of...

An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its...

This is a documentary about video artists Bill & Louise Etra, Woody & Steina Vasulka, and Kit Fitzgerald & John Sanborn.

A broadcast presentation of Steina and Woody Vasulka's experiments with the electronic image. Featuring a 15-minute "jam session" of improvised video...

In Studies cycle, abstract studies are assembled, which document the Vasulka's early work with electronic material. The visual aspect of Tissues is...

Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title....

Produced by the National Endowment for the Arts, along with the Jerome Foundation, this showcase is hour-long collection of shorts from six prominent...

Description from Portable Channel catalog: "This Program is a unique broadcast presentation of the Vasulka's recent experiments with the electronic...

In Flux, Steina films a river from a wide angle, deforming the image to the point of creating a sort of radiating, aqueous ball - like a liquid...

B&W Vasulka project with a rotating camera, keyed and alternating directions. This experiment is excerpted in their 1977 work Orbital Obsessions.

A 3-minute study of a wrinkle-faced old woman by one or both of the Vasulkas, produced late-career.

With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface