Steina Vasulka Filmes

Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas...

This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative...

Produced by the National Endowment for the Arts, along with the Jerome Foundation, this showcase is hour-long collection of shorts from six prominent...

Matrix II explores the properties of images and sounds in the medium of video. Geometric shapes travel across a ‘matrix’ (grid) of...

In Studies cycle, abstract studies are assembled, which document the Vasulka's early work with electronic material. The visual aspect of Tissues is...

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio...

The work is inspired by the surrealist René Magritte's unsettling painting La Legende doree, depicting French baguettes flitting in a window...

A broadcast presentation of Steina and Woody Vasulka's experiments with the electronic image. Featuring a 15-minute "jam session" of improvised video...

An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its...

This is an attempt to process abstract images without the use of camera. The central circle divides the creen into two parts that continually vibrate...

Although the video artwork Evolution cites the well-known image of hominid evolution, it is more interested in the evolution of the media than in the...

Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title....

In Warp, Steina makes use of her two favourite features of the Image/ine software, written by Tom Demeyer. The first feature –...

STEINA: “My background is in music. For me, it is the sound that leads me into the image. Every image has its own sound and in it I attempt to...

This work shows paradoxical space relations in electonic depths, where the common space coordinates no longer apply and where the images become...

Steina trained as a classical violinist, pushing her experience as a professional musician into the electronic realm with this seminal work....

In Flux, Steina films a river from a wide angle, deforming the image to the point of creating a sort of radiating, aqueous ball - like a liquid...

With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface