Steina Vasulka Filmes

This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative...

The opening of The Vasulka Effect couldn’t be more apt: Steina Vasulka addresses her husband Woody through various TV screens. He does the same...

A film by Steina and Woody Vasulka

Matrix II explores the properties of images and sounds in the medium of video. Geometric shapes travel across a ‘matrix’ (grid) of...

The work is inspired by the surrealist René Magritte's unsettling painting La Legende doree, depicting French baguettes flitting in a window...

In Studies cycle, abstract studies are assembled, which document the Vasulka's early work with electronic material. The visual aspect of Tissues is...

Based on Robert Heinlein’s 1941 story “Universe,” Double Lunar Dogs presents a vision of post-apocalyptic survival aboard a...

Against a field of swaying and halting yellow vegetation, another processed field: the image of the eponymous subject (performed by painter Doris...

One of the works assembled in the series Sketches. These early sketches, created not without the irony, examine ways of manipulating the video image....

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio...

In Flux, Steina films a river from a wide angle, deforming the image to the point of creating a sort of radiating, aqueous ball - like a liquid...

Progeny is a collaboration with sculptor Bradford Smith. Smith's organic and sensual sculptural forms are transformed by the merging of one of...

An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its...

A broadcast presentation of Steina and Woody Vasulka's experiments with the electronic image. Featuring a 15-minute "jam session" of improvised video...

Although the video artwork Evolution cites the well-known image of hominid evolution, it is more interested in the evolution of the media than in the...

With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface

In Warp, Steina makes use of her two favourite features of the Image/ine software, written by Tom Demeyer. The first feature –...

In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the...