Dean Kavanagh Filmes

‘My first movie’.

A journey into the dark visions of a small coastal town. Memories of the inhabitants or memories created by the place itself.

This found footage project takes the form of four experimental films surrounding the mystery of the titular character. Rather than overtly appearing...

A compendium of home movies sewn into a fragmented nocturnal narrative on travel

A relationship between a man and a woman discloses during the course of the film.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is...

The troubling hallucinations of a deranged mind.

The last day of the week is the first day of the week.

Onlookers at the canal.

Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen...

A found-footage film that seeks to sever all narrative ties.

The first film in a two-part study of daily routines.

A young man recalls a fishing trip from his childhood but he is uncertain if it is his own memory.

A relationship unravels during a storm. Poor Edward is considered as part of the official canon of Remodernist Film.

A contract killer reluctantly accepts a last minute assignment in the run-up to Christmas. The routine job takes an unexpected turn, and he finds...

A séance of old and new light.

The discovery of an ancient artefact. The night extends beyond the grip of reality. The inhabitants of a small community perish.

A young man films his family to better understand them and as a result is destroyed by them.