Corinne Cantrill Filmes

The film Harry Hooton is conceived as a huge energy field combining the energy of light and colour, movement, editing and sound — a dense,...

The footage for this film was shot in London during our research into the Vorticist movement. It is a montage of images from the Vorticist magazine...

One of the main “mysteries” of working with the lab involves grading the print: adjusting or “correcting” the color balance...

A study of the desert plain that is not left out of foliage or geological structures, inviting us to compare it with the plain of the sea and the...

Images of gold in nature and art are repeated in a fugal structure from one screen to the next. The extra potential for image structuring provided by...

The Native Trees of Stradbroke Island (1964), consisting of four films: Banksia Integrifolia, Casuarina Equisetifolia, Pandanus Pedunculatus and...

“In Robert Klippel – Junk Sculpture No. 3, 1963 (1965), a spiky Klippel creation resonates almost visibly with the high, piercing tones...

In the Brisbane Creative Leisure Centre, conducted by the Cantrills, children are shown reproductions of stained glass windows and then make large...

The beauty of the Australian bush is depicted in a carefully composed camera choreography of different aspects of flora and fauna. Close-up and...

An experimental film to see how much information the eye can take in from continuous single frame images and from single frames of widely different...

At Black Range (1984) was shot near the Grampians in Western Victoria, and features monumental monochrome rocks with rainbow shadows and...

In the Brisbane Creative Leisure Centre, conducted by the Cantrills, children, with a minimum of instruction, build up pictures from a large variety...

A three-colour separation of Ivor painting the Arf Arf group and performing with them on the soundtrack. (Arthur Cantrill & Corinne Cantrill)

Made from image fragments from Will Spoor's footage, it was our first direct foray into the relationship between cinema and visual perception. It has...

Charles Lloyd is an Australian artist whom we met in Sydney. He began working with printmaking when he moved to London around 1960. The film...

Coastal scenes filmed with an energetic pattern of two frames image/two frames black, intercut with Ivor Cantrill’s painting of the scene....

A film about recreation and learning, made during the Cantrills’ four-year residence in London, similarly tinctured by Herbert Read’s...

Located 18 miles west, Katatjuta (The Olgas) is a recurring presence in the background of Uluru. Believed by Aboriginal people to have been inhabited...

Filmed on l6mm Kodachrome which heightens the textures and depth of this harsh landscape -- a study in browns, yellows, greys and blue sky.

"These three films are derived from "Negative / Positive on Three Images" by Baldwin Spencer, which was copied in high-contrast material to make...