A. Hans Scheirl Filmes

Dust, a split-personality cyborg of fluid gender, zooms through time and space in search of his/her own memories and a sense of understanding. S/he...

A possible staging of spaces; artificial places, in which the laws—of physical, social or cultural origins—are expanded, changed,...

Pürrer and Scheirl as naughty Easter bunnies create their own visual rhyme on Easter: Catholic excess and Christ kitsch become drowned out by...

The film is made up of sequences filmed from the television screen, such as advertisements and excerpts from the show “Aktenzeichen XY”...

This intimate look into the real world of drag kings -- women exploring their masculinity -- crosses continents, traveling through drag king...

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

Two nude, female-presenting figures perform a minimal waltz to Strauss’s “The Blue Danube” on a stage resembling a variety show...

These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as "home...

A filmic homage to Gertrude Stein's "Tender Buttons": Everyday objects and especially house plants are imbued with cubist dimensions –...

Bodies and fluids, bodily fluids and fluid bodies.

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and...

Test images Amusement park, searchlight, precise displacements THE ROLLING FIELD: simulation of the open-air cinema, flying object on the runway ...

The film is a garden full of flowers and plant leaves. They’re placed in the mouth and down inside the dress neckline; they’re danced...

Scheirl’s body, with brightly painted genitals and harshly lit face, is portrayed in fragments by the camera; Pürrer is also naked....

These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as »home...

These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as "home...

Between the “red cuts” are dynamic images of Pürrer and Scheirl, some filmed from a screen, often against a red background or...

In front of the mirrored glass facades of the empty, newly built University of Economics and Business, Scheirl, Pürrer, Bauer, and Jurtschitsch...

Two bed frames pushed together are traced from bottom to top by the camera and pass over to Scheirl in a suit, panning over her. This is followed by...

Lunatics in the subway Take a break at the diner Goggles seen from near Astrid is very seductive and reprimands the child Favorite family-shots...