Hito Steyerl Filmes

How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital...

The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife...

In the eighties, Hito Steyerl shot a feminist martial arts film on Super-8 stock. Her best friend Andrea Wolf played the lead role, that of a woman...

An oral history of Artists Space, the legendary New York artists organization. Told through the voices of the artists, critics and curators who...

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers,...

As part of an art installation, Steyerl uses AI technology to create a garden of the future that emulates the Venetian landscape of elevated...

In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the...

Based on the ideas of Russian philosopher, Nikolai Fedorov, Anton Vidokle’s film was shot in Siberia, Crimea, and Kazakhstan. Fedorov, like...

Steyerl’s film traces the impact of an influx of transnational companies on the city dwellers of Berlin in post-reunification Germany. The...

The second installment of Anton Vidokle’s trilogy on Russian cosmism, The Communist Revolution Was Caused By The Sun, looks at the poetic...

It begins with a blank screen. The word ‘STRIKE’ appears across it, in white capital letters against a black background. Then a woman...

If all pictures became current, in that they pass by and in doing so, are connectable with one another, whether elegantly or obscenely, through...

In Strike II, the artist and her daughter hit the camera with a pair of hammers, attacking image-making apparatus and representation.

A short documentary about the Universal Embassy. After the collapse of the Somali government twenty years ago, its embassy in Brussels was left...

Liquidity Inc. takes up liquidity as a concept in all of its physical, metaphorical, bodily, spiritual, meteorological, and financial forms

Using video, sculpture and archival material, the work gives form to a dramatic event that took place in 1993 during the war in Bosnia, when a...

A three-channel video that begins with the animation of a fragmented sentence: HELL YEAH WE FUCK DIE—which, according to Billboard magazine,...

A film about museum guards with a background as law enforcement officers or military personnel.

Abstract (2012) is a return to the contested narrative of Andrea Wolf’s death, with Steyerl traveling to Kurdistan in search of information...

In this immersive work, which debuted at the 2015 German Pavilion at the Venice Biennale, Steyerl probes the pleasures and perils of image...