Matthias Müller Filmes

When a convicted felon fails to return from his prison leave and a young woman is found murdered, forensic psychiatrist Roman Mettler finds himself...

BEACON is a montage of location shots filmed at ten different places around the world. These sites are connected by the fact that each is located by...

A man faces his approaching death. He takes a journey, his last perhaps, and ends up at the Pensão Globo in Lisbon, where he sets out on...

A paean to light, a glittering bodice of a film that rapturously unfolds its subject with a shimmering luminosity.

Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic...

The television images of the collapse of the World Trade Center were preceded by manifold stagings of the building, either as a highly symbolic icon,...

Muller/Girardet short

Combining close-ups of redundant technology gleaned from 60s US sci-fi television series with a female voice of a 40s Hollywood melodrama, Manual...

Composed of densely atmospheric and highly stylized recycled commercial footage of young, picture perfect models pleasurably applying personal...

"With their montage of found footage of audiences, Müller and Girardet shape a captivating dramatic arc. It contains condensed suspense with...

This is somebody, nobody, anyone. This is us in the course of time. Persistently, in vain. The self is the need for permanent self-assertion.

Nostalgic excerpts of fiction, fairytales and vintage science fiction from a child’s room to way out into the galaxy.

The film comprises edited excerpts from 40 Hitchcock films in six chapters, each focusing on a different motif that reveals some of Hitchcock’s...

“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with...

There's a reason why many consider Iggy Pop the godfather of punk - every single punk band of the past and present has either knowingly or...

This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of...

Time and again, the feature film places animal actors at the side of its human protagonists – sometimes as loyal companions, sometimes as...

Matthias Müller’s films are always about both the eternal and the volatile qualities of cinema. They exaggerate the unreality and clinical...

The body as a wound that never heals.

Album also represents a further step on a path Müller set off on several years ago: away from festivals and toward the art market. Album does...