Saul Levine Filmes

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...

A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the...

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

Stations throughout Connecticut and even New York City. Riding around with my father and back to the gas station.

A small apocalypse prophecy on the threshold of disaster world/home

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

1974 (R8, 7m)

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...

"Starring Saul Levine, with some of his camerawork. First part: Birth from the water; Second: in the City with Janet, mostly in darkness; third: a...

DEPARTURE is a film that was shot in 1976-77 during a year when I lost my job due to both cutbacks at the campus at which I taught and my involvement...

RAPS AND CHANTS is also without the typical cataract of cuts. The first part is a man's monologue about a grueling LSD adventure (even the image is a...

At twilight in Binghamton, two filmmakers exchange portraits.

Shot on a farm in Friendsville Penn. where Saul lived in a trailer with Dan Barnett; shot from the same spot over the course of several Fall weeks, a...

Conceived, performed and edited by Saul Levine. Camera by Pelle Lowe. The title says it all. "A film in the old style." -- Bill Brand

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

"NOTES is a series I started in 1968. NOTE TO ERIK was the second one completed but the footage goes back to 1966 when I saw the footage I loved it...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

A film by Saul Levine

A film made by Marjorie Keller that document a successful struggle against welfare cuts by welfare clients, workers, and their allies.