Saul Levine Filmes

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

Saul Levine began Lost Note as a love poem to his wife but before he finished the film everything had changed. This film is all that was left –...

Something of an aesthetic convergence between the diaristic autobiographies and quotidian images of Jonas Mekas (as illustrated in his Diaries, Notes...

NOTE TO POLI is, in the words of his student and fellow experimental filmmaker Marjorie Keller, "a note to the filmmaker Poli Marichal 'about'...

A small apocalypse prophecy on the threshold of disaster world/home

A study of my parents in grey and white. An evening film. My mother lights the sabbath candles, cooks, crochets, sleeps, talks to father reading the...

At twilight in Binghamton, two filmmakers exchange portraits.

Levine's grammar is set up to join media images without hiding the seams; media images of race and sex, love and violence, work and play, and...

"A journal of change in pattern of living and seeing as determined by an often misfunctioning but faithful camera."-M.K

RAPS AND CHANTS is also without the typical cataract of cuts. The first part is a man's monologue about a grueling LSD adventure (even the image is a...

Shot on a farm in Friendsville Penn. where Saul lived in a trailer with Dan Barnett; shot from the same spot over the course of several Fall weeks, a...

As the crow flies, as the crow cries, as the crow alites CAWS

Every fall a store called NOMAD in Cambridge, on Mass Av,e puts up a window display of Mexican Day of the Dead pieces. My birthday is November, 3, so...

Concerned with the relation of a word to what we hear or see in our mind when we see it. How this relates to film and color.

LIGHT LICKS are a series of films, which are made frame by frame often by flooding the camera with enough light to spill beyond the gate into the...

1974 (R8, 7m)

Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase...

Conceived, performed and edited by Saul Levine. Camera by Pelle Lowe. The title says it all. "A film in the old style." -- Bill Brand