Pierre Hébert Filmes

First, about ten years ago, there was a text by Paule Marier. Then, René Lussier made a song from that text for his 2014 album (Toucher une...

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this...

This is a poetic and animated meditation inspired by two trips the director made to Japan. Images and sounds from daily life as well as recordings of...

Abstract film by Pierre Hébert, originally made in 1964 and remastered in 2007.

Miya Masaoka uses music to interact with plants and insects; Jon Rose turns fences into musical instruments with a violin bow in conflict zones...

"A film in which both sound and image were created with a minimum of photographic or electronic equipment. The images are a few simple geometric...

At the end of 2016, some circonstances made that after a gap of 15 years I resumed scratching directly on film. I first made a series of thirty one...

In a world where work rhymes with identity and productivity, we meet a man in his fifties who has not worked for several years. A question is asked:...

Under the watchful eye of a father, a child is born (first steps, named things) to a brand new awareness of the world.

An intense exercise of looking at a rockface shot near the waterfalls of Rivière au tonnerre, on the North Shore of the St-Lawrence river. A...

Festive experimental animation

A palimpsest engraved on 35 mm black leader over the film Prison by LRobert apoujade (1962).

Originally, the images of Variations on two photographs by Tina Modotti were engraved directly on 16mm film to be projected as a backdrop for Louis...

“In Green / Gray Story, for the most part, [one saw] vertical streaks and textures, with patterns that flew by. It was partly washed film on...

Gives us a glimpse of a life which remains very monotonous despite the social upheavals that mark the country.

This animated film, a small educational musical comedy, offers the viewer a proper enigma. He is very smart who succeeds in solving it the first...

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the...

In this experimental short film, Pierre Hébert explores perception using scratch animation, a technique employed by Norman McLaren. The title...

A 2021 film by Pierre Hébert