Ute Aurand Filmes

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

Beavers revisits locations in Berlin first filmed in Diminished Frame (1970), alongside sites in Massachusetts, to reflect on how lived places shape...

Filmed in Switzerland and released as part of a triptych with A Walk, Zuoz features the filmmaker Robert Beavers skating on ice. Beavers represents...

Flug durch die Nacht, shot during Ilona Baltrusch's studies at the Deutsche Film- und Fernsehakademie Berlin - DFFB, explores the relationship...

Jón in Akureyri is the second part of Detel + Jón. I filmed Jón Sigrurgeiersson walking through the streets of his childhood,...

A stylized costume play filmed on the Externsteine, the Reichstag in Berlin and in a noctural rose garden.

We hear the actor Alexander Moissi reading the fairy tale by Hans Christian Anderson (recorded in 1927), while seeing the face of a young woman...

A film about my friend Maria Lang. The light falls on a few details, chance selections, out of which a place is composed, the place where Maria lives...

"Here it is very nice at the Moment" is a triptych. In the first part, "Maria und die Welt", Ute Aurand films Maria Lang in 1995, who moves to the...

A collection of brief moments, filmed between 1999 and 2018 on journeys, at home, with friends and alone. They are private gestures that attract my...

In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having...

Filmed every day during the final four weeks of the Berlin Film Museum’s construction.

A triptych of three short silent films. A Walk through the winter of Engadin and Bergell, scenes in the park of the Rietberg Museum in Zurich with...

“Fadenspiele 2“ (Toying with String 2) is an animation made with the painter, my sister, Detel Aurand. We filmed inside the studio and...

Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.

Throughout her work, Aurand frequently makes her camera and her images felt as an active, moving body—spinning, rushing, departing, returning,...

Shot on 16mm, Ute Aurand documents the archive of Kino Arsenal - Institut für Film und Videokunst before its contents underwent a thorough...