Bill Mousoulis Filmes

A Marxist/feminist critique of capitalism and consumerism.

Shots inside and outside a flat. White, pure shots, with a golden conclusion.

Jarman was blue. Mousoulis is green.

A look back at the film-maker's career, via the use of out-takes, unused scenes, scenes from uncompleted films, home movie footage, etc.

A short fiction in the mode of a 'diary', a film-maker's thoughts and feelings regarding his failure to obtain funding for his films.

A bicycle seat. A roof. A car park. Light. Shadow. The aperture control. Piano. Synthesizer. Delay effects. A sci-fi/horror fantasy ... the shadows...

A fast cut-up of images, accompanied by Teenage Fanclub's "Radio".

The second film of "The Place Trilogy". Doco images collide with a fictional text.

Richmond = rich world, rich woods. 1990 to 1995. The sites which resonate with meaning and feeling for the film-maker, now leaving Richmond, heading...

A life veiled, by a very old tree. Rock solid. One shot. From darkness to light, the aperture opens. Only one thing can be said: vale Karen Carpenter.

A document of various '45's, various 'singles'. Bill, Eléni, and George. Diary film? Documentary film? Fiction film? All this and more, in the...

Various shots of inner-city Melbourne, with an eclectic soundtrack.

A film about Michelangelo's dream of the connection of the fingertips.

A group of different activities and things are associated according to the idea of "construction".

The wanderings and wonderings of an existentialist philosopher.

A personal, diary film, about love, the cinema, faith, desire, affirmation.

Heavy rain. Then, a change. Melbourne.

A film-maker struggles to live. She makes films. She makes love.

A photo of a woman, some heavenly skies, and the Pixies' "Hey".

A woman goes out, boards a tram, and looks at things.