Bill Mousoulis Filmes

A newspaper journalist in Bosnia returns home to find that things are and are not as they seem.

A portrait of Melbourne in Spring '04 (September/October), a mosaic of different stories: an angel desires to be human; a young couple cope with...

The story of Rick, a washing-machine serviceman, and his relationships with two very different women.

A portrait of a serial killer.

A teenage boy stoner lives with his single mother.

Several interconnecting stories of love, loss, desire and despair, among both gay and straight characters. The main story concerns Anna, a successful...

When Jina a Kurdish poet escapes her oppressive homeland in Western Iran, she takes her beloved’s birthday gift – “Girl with the...

A multi-layered narrative drama about ordinary people and their struggles and joys with life. Blue Notes is composed of five tales about people who...

A couple, Steve and Louise, quit their respective office jobs, deciding to follow their inner desires and their aspirations to be artistic.

The faith of a heart and the faith of a look. A period in the life of a young Australian couple.

A diary film. A university student reflects on his time at uni, longing for the days when he was "pretty naive".

A personal film, a diary, an essay, of Bill Mousoulis in December 1989.

A man walks the streets of Melbourne, which looks very New Yorkish.

A lonely man, bereft of family, looks for a way to connect with others.

The Writer prepares to shut off from the world; The Lover accepts the rejection of his love; The Cynic espouses the virtues of distance. Winter is...

Three characters submit to the night.

A love letter is written and then sent off. There are two worlds - the one we have and the one we dream about. This film is all about the attempt to...

A woman goes out, boards a tram, and looks at things.

A bicycle seat. A roof. A car park. Light. Shadow. The aperture control. Piano. Synthesizer. Delay effects. A sci-fi/horror fantasy ... the shadows...

Various tableaux of Melbourne in 1989, as experienced by the film-maker.