Lillian Schwartz Filmes

Digital Animation | 02"50

A short Emmy award-winning animation promoting New York's newly renovated Museum of Modern Art.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Study in motion based on Muybridge’s photographs of man running.

A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery.

Filmed directly from color television controlled by computer programs. Beautifully flowing shapes that overlap and intertwine.

Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions.

Computer-simulated disk galaxies that are superimposed and twirl through space in beautiful colors at different speeds.

“Apotheosis, which is developed from images made in the radiation treatment of human cancer, is the most beautiful and the most subtly textured...

Mathematical functions are the basis for a science film on contour plots and an art film. Both are shown simultaneously at a two screen production...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

A number of telephones from the very first invention by Alexander Graham Bell to the present-day cellular and voice phones are morphed in an...

Blasting off into cosmic visual abstraction, pioneering computer artist Lillian Schwartz’s UFOs is a kinetic tour-de-force whose innovative...

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Pixillation features computer generated abstract animations set to Moog-synthesized sound.

“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in...

Created in 1990 at AT&T's Bell Labs in a program called Sculpt, one of the very first real-time texture mapping programs.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.