Kurt Kren Filmes

A collage of many visuals. A man urinates; a man has a drink. A man defecates; someone eats a meal. 16/67 September 20: ‘The Eating Drinking...

A homage to the Austrian experimental filmmaker Kurt Kren, his two films "1000 Years of Cinema" and "Snapspots" and his way of working; and that with...

A subversive and experimental film by Otto Muehl.

"It became easier to understand Kren's method of approaching film when he illustrated his matter-of-factness with a story: he was asked to shoot and...

Based on a Muehl Happening. The almost convulsive use of juxtaposition reappears here, but the captured gesture assumes a more erotic sensitivity,...

A "stroll" at various locations: the St. Marx Cemetery, the Prater park, Carnuntum. We see people taking walks, construction workers, people flying...

Kren’s last film to include any direct reference to Otto Muehl is 12/66: Cosinus Alpha, a 10-minute film that completes a cycle of elaborate...

A fragment: Impressions of the atelier of painter Wolfgang Ernst (who also worked as a composer or the films of Kren and Schmid). Unfinished due to...

This three-minute film was far more akin to the American-style "happening" in that the content was not particularly extreme. It was built up from...

Vacation pictures from Rome.

In a TV film about the film Casablanca, Kren is meant to read aloud three letters that Groucho Marx wrote to Warner Bros., because they wanted to...

Kurt Kren films a photo which shows an SS officer standing on a town square which is littered with dead bodies.

This film shows, with the use of single-frames, Kren's diary-like notes from 1968 to 1976, especially his entries about the work on the three...

Almost as if entering the picture frame by chance, mute characters lean out of Viennese apartment windows, simply to have a look.

A man's head is seen in silent close-up using single-frame shooting and time exposure.

11/65 Bild Helga Philipp is an optical abstraction of an optical abstraction: Kren has simply intercut filmed movements and sections from an Op...

Kren in New Hampshire, New England. Together with friends he lived from the demolition of wooden houses and sale of the wood. Kren was the "nail...

"In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to...

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single...