Stephen Dwoskin Filmes

Short strip by Stephen Dwoskin.

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

The beginning of the prevalent theme – or question – what keeps us apart, even when together? This question in the later film not just...

A summer in Beechdale Road. A meditation on the passage of time, the time in between things and the time spent together - and apart. The film was...

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...

A richly conceived essay about the evolving image of disability. Dwoskin begins with the declaration that the historically distorted images of people...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

Short experimental film focusing on body paint and the female form.

Liu, crying, sings "Signore, ascolta!" Liu can bear it no more. She sinks to the ground, exhausted and sobbing. Puccini makes tears of joy and of...

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes...

A personal film by experimental director Stephen Dwoskin.

This amusing short features a real life Labour party canvasser who comes looking for Dwoskin (never realizing that he's the camera man), and instead...

Avant-garde appeal on behalf of and made by the adventurous leftist London cinema, The Other Cinema, using the facilities provided by the BBC...

An ode to Stephen Dwoskin's father. The film blends found family footage of the young and the ageing father. It takes the tiny gestures of daily life...

'The Sun and the Moon, a film fairy tale, is about two women’s terrifying encounter with ‘Otherness’ in the form of a man, abject...

More like sketches Phone Portrait and Phone Strip explore the moving image through the uniqueness of the most modern of technologies – the...

“My grandfather was a charming artist, and he would have acted if he had had an audience. In this film, taken from family images, it is a...

Stephen Dwoskin's personal impression of West Berlin before the Berlin Wall went down.

The first three of a series of intriguingly personal and erotic engagements seen in the privacy of darkness and transformed by the iridescence of the...