Robert Breer Filmes

Animated short

Featuring a commentary by Noël Burch (in nonsense French), Recreation's rapid-fire montage of single-frame images of incredible density and...

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely...

Documentation of an exhibition entitled Le Mouvement held in Paris in 1955, co-curated by Breer and Pontus Hulten. Features works and appearances by...

A number of simple mechanical objects spiral out of a spray-paint nebula then implode into pure pattern and line.

A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as...

An experiment in associative spontaneity.

A short film by Robert Breer

A collage film in which Pope Pious XII does a juggling act.

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film...

"A concise, one-minute cartoon history of the black American, commissioned by the Public Broadcast Laboratory and shown on NET network." - Canyon...

Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding...

Cut-outs of war machines and the figure of Napoleon – contributors to an anti-war theme – encounter abstract shapes, line drawings,...

An anarchic collage of invention, Rubber Cement uses rotoscoped family footage together with found objects to create an almost free-form animation...

Short hand drawn representation of a cat

Sparkill Ave! combines still photos of Breer's home and environs with hand-drawn images of ordinary objects and scenes.

An experimental film in which a photograph of an airplane turns into a wire diagram, then into an animated plane in flight, and then it explodes into...

Breer's earliest experiments in animation are wonderfully dense yet lyrical abstractions based on Breer's own geometric paintings. - Harvard Film...

Shot in 1974, Colliding was made as a portrait of sculptor/animator Robert Breer.

Breer’s animation explores the theme and variation of the drawn line: a line in constant movement and transformation. With a very sketchy...