Bruce Conner Filmes

Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling...

Two Moon July was a multidisciplinary event that featured experimental video, film, visual art, performance and music in a theatrical framework. More...

Stock footage edited with music to comment on American culture.

Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and...

A film he made in 1969 that rarely gets discussed, and is only barely mentioned even in the monograph 2000 BC: The Bruce Conner Story Part II. This...

An advertisement for the New York Film Festival which the Festival rejected as being "too fast."

Bay Area filmmakers and Canyon Cinema co-founders Ben Van Meter and Bruce Conner were invited to L.A. to talk about Underground Film on the Art...

Starring Bruce Conner, a belly dancer, a geiger counter, and a toxic waste dump.

From KQED kinescope with Michael McClure (No longer extant).

16mm/Digital, color/b&w/sound Bruce Conner began working on By and By a documentary about The Soul Stirrers several decades ago shooting their...

Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s...

A three screen projection comprised of imagery from COSMIC RAY (1961) and EVE-RAY-FOREVER (1965).

A short film created during the production of Cool Hand Luke.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

EVE-RAY-FOREVER is a silent, three-screen expanded version of COSMIC RAY (1961). Originally exhibited as an 8mm Technicolor looped installation at...

LOOKING FOR MUSHROOMS (1959-1967) is a psychedelic travelogue film that documents a series of “trips” through rural Mexico and urban...

A short film documenting the making of Bruce Conner's Breakaway.

Jay De Feo started painting THE WHITE ROSE in 1957. When the unfinished painting was removed eight years later it weighed over 2300 pounds.

In his first collaboration with David Byrne and Brian Eno, Conner used footage from educational films to create a rhythmically austere image-track...