Peter Tscherkassky Filmes

A propulsively jittering journey through the cinematic imaginary using glitchy found footage and jacked-up cyber sounds, Get Ready hits the highway...

On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of...

The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian...

Wolfgang Amadeus Mozart, according to his biographers (and his letters confirm this fact), was an extremely sensuous person, and Nachtstück...

Not a stage direction, but rather something very concrete is hidden behind the technical term. Something which betrays a little of the yearning for...

A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the...

Aderlaß is a youthful attempt to process the inheritance of the Vienna Actionists through the use of a super 8 camera. In front of the camera...

Alternating between recognizable and abstract picture worlds, between theoretical reflection and lush sensuality is the main distinguishing...

In this Documentary Peter Tscherkassy talks about his work and he demonstrates in the Darkroom how his Movies are made.

Parallel Space: Inter-View is made with a photo camera. A miniature photo is exactly the size of two film frames. Optically it resembles a flickering...

On a weekend in June 1983, in what was deemed a "country outing,“ an impressive number of artists from Berlin went to a small village in...

(for Ernst Schmidt jrs. trilogy Memories of a Nervous Illness, part 1 & part 2) 1987/88, 16mm (S 8 blow up), á 4 min, colour & b/w